Pete Townshend

INTERVIEW: Pete Townshend


It's very, very close in sound to the original. I was surprised that it is a smaller scale. But it has MIDI IN so a larger keyboard can be used. Needless to say, like the big KORG keyboards, and the MS20 revival (which is also smaller scale), this is a fabulous instrument – and like the MS20 almost an educational tool for newbie synthesists. You can see the sound and controller pathways clearly, and learn what each does. The best thing for me are the modern fader controllers that are so smooth. Making very fine adjustments is easy – that's where this shines.

I have only really started to use KORG instruments since the OASYS was introduced. I skipped the Triton. The first person I saw using KORG in a studio was David Bowie, so I decided to give it a try. Since then I've been a huge fan.

I think the entire KORG range offers great sound, but also lots of fun especially in the smaller instruments, and the ODYSSEY is so much fun to use, and of course to play with. A child could make sounds come out of it. But when you want to get serious this takes one back to the early days of hard-wired synths and with Duo-Voices is especially great for voices set up in 4ths or 5ths.

One advantage of the slighter smaller size compared with the original is that it takes up less room in my cramped control room, and most studios have a large MIDI keyboard. In practice this little synth will stay right where it is for a while. Centre stage.

I love it.
Pete Townshend